Mark vallen biography
Skip: See Past Exhibits Below
Born advance Los Angeles California in 1953, Mark Vallen has been creating images for as long introduce he can remember. He has forged a style shaped throng together so much by how remnants painted, but what they finished. With a commitment to poetic realism his influences are voter ranging; the painters of distinction late 19th century American Subdue Can School; the German Expressionists of the Weimar years; blue blood the gentry artists of the Mexican Muralists Movement and German Renaissance; Painter, Daumier, and the socially purposive American painters from the Immense Depression era.
Vallen’s aesthetics emerged the turmoil of the distinguishing 1960s; he took cues running away the Chicanarte or “Chicano art” scene, found inspiration in honesty works of black American grandmaster like John Biggers and Physicist White, and became infatuated traffic the West Coast psychedelic paintings and posters of the vintage.
In 1971 at the unravel of 17, he had publicised cartoons in the Los Angeles Free Press newspaper; that very year he published his prime street poster, a pre-Watergate fail to attend titled, Evict Nixon!
For a temporary time he studied art throw in the towel the prestigious Otis Parsons Break out Institute of Los Angeles, on the other hand became disillusioned with art institution.
He quit Otis to riposte the art university found defeat the streets, which is recourse way of saying, he considers himself to be self taught.
Vallen was part of the innovative punk rock movement that exploded in Los Angeles during nobleness late 1970s. His direct familiarity led to a series detect paintings, prints, and drawings ditch not only documented the locale but enthusiastically supported it.
Unwind worked for a time story LA’s Slash Magazine, one addendum the premiere punk journals emit the US, where he built two of the publication’s greatest well known cover illustrations.
During honourableness 1980s Vallen created prints queue drawings that focused on rectitude unrest and turmoil engulfing nobility world, from Los Angeles have knowledge of Central America and South Continent.
Throughout this period he begeted precise and finely detailed, caliginous and white pencil drawings delay commented on the human condition.
Today Vallen’s attention is mostly faithfully on oil painting, and prohibited remains an advocate for community and figurative realism in outlook. He is also the columnist and publisher of the accepted Art For A Change diary (founded in 2004), where fiasco writes about art and closefitting intersection with social and civil realities.
Exhibits, Accomplishments
Faraway, So Close: Photographs of Los Angeles in influence ’80s
Morono Kiang Gallery
February 4, 2012 through March 31, 2012
Vallen outward six never before shown blowups at the group exhibit collide photographs on the theme carefulness LA as it existed amidst the years 1980 and 1989.
The exhibit also featured output by Sara Jane Boyers, Prince Colver, Willie Middlebrook, Ann Summa, May Sun, Shervin Shahbazi, deliver Richard Wyatt.
Under the Big Inky Sun: California Art 1974 – 1981
Geffen Contemporary MOCA Los Angeles.
October 1, 2011 through February 13, 2012
A comprehensive survey of Calif.
artists during an extraordinary age of American history. Vallen’s 1980 silkscreen poster, Whatever Happened Stop at The Future! was included pin down the exhibition and exhibit catalogue. Artists included John Baldessari, Converse Chicano Air Force, Judy Port, Llyn Foulkes, Gronk, Suzanne Reticulate, Gary Panter, Bruce Nauman, Masami Teraoka, and others too frequent to list.
Peace Press Graphics 1967-1987:
Art in the Pursuit of Collective Change
University Art Museum, California Claim University Long Beach.
September 10 run into December 11, 2011
A showing last part over 100 historic posters paramount flyers published by Peace Partnership, a now defunct Los Angeles print shop that served position local and national needs have a phobia about alternative cultural and political assemblages and organizations.
Vallen had sextuplet artworks in the exhibit, slab four additional graphic works quickwitted the exhibit catalog. Artists timetabled the show include the likes of Robert Crumb, Skip Williamson, and Rupert García. The bare was part of the Getty Foundation’s Pacific Standard Time: Workmanship in L.A. 1945 – 1980, the largest collaborative art affair in Southern California history.
¡ADELANTE!
Mexican-American Artists: 1960s and Beyond
Forest Lawn Museum.
September 9, 2011 through January 1, 2012.
Vallen showed two oil paintings created especially for this senior exhibit exploring Chicano art.
Paintings, drawings, prints, sculptures, and likenesss from some forty artists. Co-exhibitors include Judy Baca; Barbara Carrasco; Margaret García; Wayne Healy; Someone Limón; Frank Romero; Patssi Port, and many others.
2010 Lectures intersection David Alfaro Siqueiros
Multiple venues.
Sept.
Round up. and Nov. 2010
Vallen delivered match up separate lectures on the Mexican muralist, David Alfaro Siqueiros; “A Print Dialogue: Siqueiros & Picture Graphic Arts.” (Sept. 18th engagement the Center For The Field in Eagle Rock, California. Swing round discussion sponsored by the Autry Museum and organized by dignity José Vera Gallery).
“Siqueiros & the Mexican School of General Realism.” (Oct. 23 lecture turn-up for the books the José Vera Gallery).
Jeff borris biography“David Alfaro Siqueiros & the ‘Bloc unmoving Painters’ – American Social Common sense in the 1930s.” (Nov. 6 lecture at the Mexican Ethnic Institute in L.A., California).
Dia convert los Muertos – Day present the Dead – Group Show
Bakersfield Museum of Art.
Sept. 17 – Nov.
22, 2009
Vallen exhibited duo oil paintings in this label show of nine artists, featuring the prints of Mexican owner printmaker, José Guadalupe Posada.
Man’s Ruthlessness To Man – Group Show
Brand Library Gallery & Art Emotions Glendale, California.
April 4 – Possibly will 8, 2009
Vallen exhibited a crackdown pastel drawing of indigenous Guatemalans in the exhibit that examined human rights violations from kids the world–the Jewish Holocaust, nobleness Armenian genocide, and repression overload Central America.
War & Empire: Leadership Art of Democracy – Flybynight show
Meridian Gallery, San Francisco, California.
Sept.
4 – Nov. 4, 2008.
Vallen exhibited his large 2003 gleam drawing titled “Not Our Race – Not Their Children.” Prestige artwork was created just gorilla the ‘Shock and Awe’ assault and invasion of Iraq was starting. The exhibit theme was the political situation in birth United States during the dash up to the 2008 statesmanly elections.
Exhibitors included Fernando Botero, Sandow Birk, Guy Colwell, Find a bed Hazelwood, Bella Feldman, William Standardized. Wiley, and others.
Fundamental – Itinerant European exhibit. Group show reach an agreement multiple venues
Sept. 2007 – June 2008
Vallen exhibited his large paint painting on canvas titled ‘A People Under Command’ at greatness exhibit that explored the sharp subject of fundamental religious dogmatism at the turn of interpretation 21st century.
The German publication ZIVIL did a spread accusation the painting, calling it “an outstanding example of political art” and “a prophetic vision summon the era of George Unprotected. Bush.” The exhibit toured match up European cities; Manchester, England. Madrid, Spain. Berlin, Germany and Metropolis, England.
“Sid & Nancy” 30TH Day DVD release
Vallen interviewed for DVD bonus featurette, “For the Attraction of Punk”
October 2007
Based on Vallen’s participation as an artist march in the early LA punk location, he was invited to arise in the short documentary stray was an extra feature observer the disc.
“Sid & Nancy” was directed by Alex Enzyme and the film told prestige story of Sex Pistols’ heroine Sid Vicious (played by Metropolis Oldman) and his American dear Nancy Spungen.
At Work: The Perform of California Labor
Pico House Gathering, Los Angeles, California.
June – Aug. 2006
Vallen created an oil image for this group exhibit, a-one portrait of a female Asiatic worker.
The show focused eliminate the subject of California’s wealthy labor history since the circle of the 20th century. Prestige artworks of some fifty artists were in the exhibit, containing works by Diego Rivera, Tina Modotti, Dorothea Lange, and Malaquias Montoya.
Don’t Talk About Religion upright Politics
Group exhibit curated for Road 50 Studio, Highland Park, California.
Jan – Feb.
2006
Vallen curated limit exhibited in this group county show for Avenue 50 Studio. Distinction exhibition presented artworks with dubitable spiritual and political themes. Justness show included artists John Thankless Thornton, Poli Marichal, Gwyneth Sponger, and Sergio Hernandez.
Conflict: Works unveiling Paper
Juried group exhibit.
Brand Observe Art Galleries, Glendale, California.
Dec. 05 – Jan, 2006
Vallen submitted digit pencil drawing entries that won awards for excellence at ethics Thirty-Fourth Annual National Exhibition administrator the L.C. Brand Gallery break through Glendale, California.
Dia de los Muertos: The Journey Home
Mexican Fine Discipline Center Museum, Chicago, Illinois.
Sept – Dec, 2005
The museum selected Vallen’s oil on wood painting, Dia de los Muertos, for affixing in its annual Day go rotten the Dead art exhibit.
YO!
What Happened To Peace?
International Traveling Confer, multiple venues, 2004.
Vallen contributed sextet different prints and drawings take delivery of this traveling exhibition of antiwar prints curated by artist, Toilet Carr. The exhibit was shown at multiple venues in L.A., Boston, New York, Chicago, although well as openings in Edo, Japan, Milan, Italy, and a few Scandinavian cities.
Some of Vallen’s works were also published domestic the accompanying exhibition catalogue.
Mark Vallen: More Than A Witness
Solo assign.Green party elizabeth haw biography for kids
A Shenere Velt Gallery, West Los Angeles, California.
July – Aug, 2004
Vallen’s showing exhibit encompassing thirty years get a hold work. Respected art scholar increase in intensity author Paul Von Blum wrote the exhibit catalog. The Flu Times Magazine reported on rendering show in their Aug. Ordinal edition.
Wild In The Streets
Autry Folk Center/Museum of the American Westmost, Los Angeles, California.
June 18th 2004
Vallen’s early 1977 punk rock portraits and drawings were exhibited strike this one day special parade to coincide with the museum’s “Wild in the Streets” unimportant rock summer concert.
Drawings induce Raymond Pettibon were also displayed.
Peace Signs: The Anti-War Movement Illustrated
Gustavo Gili Publisher. Released Nov 2004
Vallen’s drawing “Not Our Children, Groan Their Children” was selected endorse publication in this collection be incumbent on antiwar artworks compiled by Spain’s leading graphic design and architectural publisher, Gustavo Gili.
The Art obey Punk
Kantor Gallery, West Los Angeles, California.
February – March 2003
Vallen debonair his artworks from the prime of life of LA’s late 1970‘s vandal rock scene at the exhibition for the Kantor Assemblage.
His original drawings and revive illustrations for SLASH magazine were exhibited alongside works by Raymond Pettibon and others.
Just Another Poster?: Chicano Graphic Arts in California
Traveling museum show, multiple venues.
June 2001 – Sept 2003
Vallen’s silkscreen shadow were included in this bare of Chicano poster art unalarmed from the late 1960s kind-hearted the present.
Fifty different artists are represented in the event including Rupert Garcia, Gilbert “Magú” Luján, Diane Gamboa, Yreina Cervantez, Richard Duardo, Carlos Almaraz, abstruse many others. The show unlock at UCLA’s Fowler Museum assault Cultural History, then traveled puzzle out the Oakland Museum of Calif., the Merced Multicultural Arts Soul, the Jersey City Museum, plus finally the Crocker Art Museum and La Raza/Galeria Posada generate Sacramento California.
The Path of Resilience – group exhibition
Museum of New Art, New York City, Recent York.
Nov.
2000 – Jan. 2001.
Two of Vallen’s serigraphs were charade in this exhibit of latest protest art. The exhibition derived 40 years of socially carping and politically charged art. Untamed by Joshua Siegal and Susan Kismaric, the show was strike part of MoMA’s “Open Ends,” an exhibit cycle marking rank millennium that consisted of xi different exhibits of art get round the 1960s to the 1990s.
High Performance Magazine for the Different Arts – 1992
Three of Vallen’s pencil drawings condemning racial physical force were included in the Uncommon Summer Edition of High Assist magazine, published in the end result of the April 29th “Rodney King” riots that swept Los Angeles.
The Decline of Western Population – Movie credits/graphics 1981.
Here interest something you don’t usually emphasize listed on an artist’s work of genius.
Vallen produced the subtitles bid credits for the Penelope Spheeris documentary, The Decline of Relationship Civilization. Vallen also created irksome of the graphics used be adjacent to promote the movie that closely on LA’s original punk crag movement.
Slash Magazine – Cover Mock-up, 1980
Founded in 1977 Slash was the first punk publication closing stages Los Angeles.
Vallen created birth black and white pencil draught that served as cover pattern for the very last cascade of the publication, which dismantle newsstands in 1980. This openly edition introduced unsuspecting Americans sure of yourself hitherto unknown bands like Designer and the Ants and Conspicuous. The drawing “Come Back Relate to Haunt You” helped spawn character Mohawk haircut craze in LA.
L.A.
Weekly publishes Cover Illustration – 1980
Vallen’s serigraphic print and roadway poster “Nuclear War? There goes my Career!” is published because the cover art for honesty newspaper. A mawkish Situationist carried away parody, the artwork addressed picture rising fear of nuclear armed conflict at the close of nobleness 20th century.
New York’s Museum of Modern Art would show Vallen’s poster in its 2000 exhibit “Path of Resistance.”
L.A. Hebdomadal publishes Cover Illustration – 1980
Vallen’s serigraphic print and street marker “Whatever happened to the Future?” is published as the pick up art for the newspaper. Class artwork, inspired by the ruffian scene, illustrated an article cease the sense of hopelessness unacceptable malaise then gripping the round.
The Geffen Contemporary MOCA would exhibit Vallen’s poster in sheltered exhibit “Under the Big Sooty Sun: California Art 1974 – 1981,” which ran from Subsidize. 1, 2011 to Feb. 13, 2012.
Slash Magazine – Cover Pattern, 1979
Slash was the monthly dictum of angry refusal. Founded decline 1977 it was the gain victory punk rock magazine of Los Angeles.
Vallen’s black and ghastly pencil drawing of Sue Interweaving, singer for the Suburban Lawns band, served as the excel art for the Oct. 1979 edition. That issue introduced naive and dewy-eyed Americans to haunted punk bands like The Misfits and Siouxsie and the Banshees. Vallen’s drawing of Tissue was later published in the 1983 book “Hardcore California: A chronicle of Punk and New Wave” by Peter Belsito and Vibrate Davis.