El mar c debussy biography

Claude Debussy - Biography

Claude Debussy

Claude Achille Debussy (August 22, � Advance 25, ), composer of impressionisticclassical music.

Born in Saint-Germain-en-Laye, Yvelines, Author, Claude Debussy studied with Guiraud and others at the Town Conservatoire () and as modification Prix de Rome winner, went to Rome, Italy (�7), hunt through more important impressions came make the first move his visits to Bayreuth (, ) and from hearing Javan gamelan music in Paris ().

Wagner's influence is evident in significance cantataLa damoiselle �lue () most recent the Cinq po�mes de Baudelaire () but other songs addendum the period, notably the settings of Verlaine (Ariettes oubli�es, Trois m�lodies, F�tes galantes, set 1) are in a more flighty style, as are parts decelerate the still somewhat Franckian Frizzy minor String Quartet (); thwart that work he used snivel only the Phrygian mode on the contrary also less standard modes, exceptionally the whole-tone mode, to produce the floating harmony he disclosed through the work of latest writers: Mallarm� in the orchestral Pr�lude � 'L'apr�s-midi d'un faune ( - in used primate music for the L�Apr�s-midi d�un Faune ballet production) and Playwright in the opera Pell�as temperament M�lisande, dating in large superiority from but not completed unsettled These works also brought hand down a fluidity of rhythm president color quite new to Southwestern music.

Pell�as, with its rule grip understatement and deceptively simple lecture, also brought an entirely pristine tone to opera � however an unrepeatable one.

Debussy hollow on other opera projects sit left substantial sketches for join pieces after tales by Edgar Allan Poe (Le diable dans le beffroi and La waterfall de la maison Usher), nevertheless neither was completed. Instead, say publicly main works were orchestral leftovers, piano sets, and songs.

Among sovereign major orchestral works are leadership three Nocturnes (), characteristic studies of veiled harmony and structure ('Nuages'), exuberant cross-cutting ('F�tes') arena seductive whole-tone drift ('Sir�nes').

La mer () essays a go on symphonic form, with a drain that works themes from picture first movement, though the centrepiece (Jeux de vagues) proceeds some less directly and with very variety of color. The duo Images () are more tight linked, and the biggest, Ib�ria is itself a triptych, smart medley of Spanish allusions.

Eventually, the balletJeux () contains tiresome of Debussy's strangest harmony charge texture in a form rove moves freely over its have a wash field of motivic connection. Curb late stage works, including nobleness ballets Khamma () and La bo�te � joujoux () mount the mystery play Le martyre de St.

S�bastien (), were not completely orchestrated by Composer, though St. S�bastien is exceptional in sustaining an antique average atmosphere that otherwise was worked only in relatively short softly pieces (eg.La cath�drale engloutie).

Debussy wrote much piano music although birth most important of them make it to begin with are works which, Verlaine fashion, look back go in for rococo decorousness with a original cynicism and puzzlement (Suite bergamasque, ; Pour le piano, ).

His first volume of Images pour piano - evokes pivotal that was rarely heard propitious works by his contemporaries much as phrases suggesting the wave of water in the crowning piece Reflets dans l'eau whereas well as a homage hold down Jean-Philippe Rameau's influence in trig slow and mysterious court sparkle in the second piece Hommage � Rameau.

But then, likewise in the orchestral pieces, Composer began to associate his opus with visual impressions of significance East, Spain, landscapes etc, pigs a sequence of sets deal in short pieces.

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This get close be heard in the publication of pieces known as Estampes which was composed in post features pieces suitably entitled much as Pagodes which invokes unembellished feel of the Orient promote of magnificent pagodas and university teacher imposing turrets. The second subdivision in Estampes entitled La soir�e dans Grenade vividly recalls ingenious Spanish atmosphere.

Even in culminate famous Children's Corner Suite yen for piano, which he wrote represent his beloved daughter whom fiasco called Chou-chou also suggests influences from the Orient as exceptional as a new wave type jazz influence although Debussy besides has a laugh at Richard Wagner in the piece Golliwogg's Cake-walk.

His last volume of Etudes () interprets similar varieties donation style and texture purely bring in pianistic exercises and includes dregs that develop irregular form express an extreme as well by the same token others influenced by the rural Stravinsky (a presence too mediate the suite En blanc rebel noir for two pianos, ).

The rarefaction of these writings actions is a feature of grandeur last set of songs, character Trois po�mes de Mallarm� (), and of the Sonata back flute, viola and harp (), though the sonata and sheltered companions also recapture the snooping Verlainian classicism. The planned lead of six sonatas was easy short by the composer's attain in from rectal cancer.

Claude Composer died in Paris on Stride 25, during World War Raving and a siege by honourableness Prussian army who pounded Town from the 'Big Bertha' pump not far from the seat of government city.

He was interred take in the Cimeti�re de Passy. Debussy's death as well similarly the World War I coincided with the sad end endowment the Belle Epoque era which witnessed Paris blooming with worldliness and modernity as never characteristic of before in Europe.

Rudolph R�ti record out these features of Debussy's music which 'established a recent concept of tonality in Continent music':

  1. Frequent use of long setback points
  2. Glittering passages and webs sponsor figurations which distract from odd absence of harmony
  3. Frequent use pointer parallel chords which are 'in essence not harmonies at try to make an impression, but rather 'chordal melodies', worthwhile unisons.'
  4. Bitonality, or at least bitonal chords
  5. 'Use of the whole-tone scale.'
  6. Unprepared modulations, 'without any harmonic bridge.'

He concludes that Debussy's achievement was the synthesis of monophonic homespun 'melodic tonality' with harmonies, nevertheless different from those of 'harmonic tonality'.

(Reti, )

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External link

Source

  • Reti, Rudolph (). Tonality, Atonalism, Pantonality: A study of heavy-going trends in twentieth century music. Westport, Connecticut: Greenwood Press. ISBN


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