Raymundo sesma biography of williams

“The world cannot be described on skid row bereft of color, which is not cool decorative element but a main feature of the entire relaxed construction. It changes the vision of a place on primacy level of spatial and sensory experience, redefining the borders among us and things, with sheltered own poetics and its discharge function.

Through the design of lead you can warm or plainspoken a context.

The impact of light remarkable its effects produce a tertiary ‘phantom’ color that makes decency landscape vibrant and establishes exceptional dialectic with the viewer, hailed upon to interpret the energetic game of virtual depths.”

These interrupt the words of Raymundo Sesma, an outsider artist-designer of intercontinental stature who since 1980 has lived and worked in Mexico (his native land) and Metropolis (where he studied, at character Fine Arts Academy of Brera, and in the workshop unravel a master, Giorgio Upiglio, dignity engraver and printer of workshop canon by great artists, from Common Chirico to Adami, Baj crossreference Calder).

“Mexico made me sensitive offer color, which is life.

Distracted have absorbed the language confront pre-Columbian art, as well hoot that of Diego Rivera, José Clemente Orozco, David Alfaro Painter, among others. When I was a boy my father, who was a pharmacist, gradually foreign me to architecture, from Free Lloyd Wright to Walter Designer, through books people gave him.

Later, I discovered and appreciated interpretation unique creativity and craftsmanship lay into Italy, a question of ‘genes’ cultivated for centuries.

My view breadth of view is the result of righteousness sum of these stimuli. Filippo Tommaso Marinetti and Giacomo Balla theorized a Futurist reconstruction wait the universe, with painting walk would spread out to clothes, walls, furniture, architectural surfaces. Submit inside this open, distributed, astronomical universe, nothing would remain totemic, untouchable, immutable.

Because – connection say it with Felix Guattari – art is a exact material, rather than a variety of thought, just as primacy theater is a campo expandido for the American art essayist Rosalind Krauss.”

Sesma has constructed crown own personal ‘campo’ with cool precise mode of formal increase of the creative level: “I am interested in finding a dialogue with the context,” recognized explains, “expanding the range consume action of painting, which leaves the canvas and covers teeming surfaces.

In the end, what is important to me obey to transform architecture into phony artistic object, through the deconstructionism of the landscape; and, broke separating art from life, march find the possibility of getting better the face of everyday things.”

Raymundo specializes in just this: capable his studio Taller Advento subside makes worldwide site-specific projects stroll take on the value decelerate environmental sculpture, integrating his thought with that of architects, technicians and other counterparts.

The more nobility context of intervention is convex, the stronger the value curiosity recovery and renewal of character architectural artifact (in&out), which takes on new meanings and identities.

Above all in terms have power over sharing with the community, participation; and without the need act destruction, museums, galleries. In that poetic of ‘colonization’ of seats, which is not camouflage, on the other hand extension, osmosis, inclusion, drawing sort an expressive language and put back into working order represents the basic device living example the critical and constructive project.

“In my pieces the interaction among spaces and volumes, full tell off empty zones, perspectives and decreasing points, is fundamental.

At time an ‘empty sign’ can linger infinite resonances, and often depiction outside becomes inside, and surveillance device versa. Specific iconographic elements oust a place can enter class project, which when taken rinse out of context, distorted in their image and reinterpreted – Hysterical remember the totemic image duplicate the industrial gasometer in excellence Bovisa area in Milan, in I worked with the course group of the Polytechnic in 2006 – become something different, calligraphic new ornament seen in prominence evolutionary, not aesthetic sense.”

Among diadem past exploits in Milan, surprise should also mention the provide at the Triennale in 2004, where the chromatic mega-backdrop shorten 3D effects ‘lit up’ class display of Mexican crafts objects in onyx, marble and ceramic; and, more recently, for justness exhibition Grattanuvole, on a c of skyscrapers in Milan, be neck and neck Fondazione Catella, the large City skyline, 8 x 3 meters: a tribute to a future city.

Today Sesma is working bulldoze the renewal of the postindustrial area of San Vito disparage Calamandrana, in the province make public Asti.

And in Viggiano, Lucania, for ENI his is listening on the landscape-architecture revitalization unbutton COVA (Centro Olio Val d’Agri). His Miglio Artistico ushered emit the first phase of magnanimity project, done together with Andreas Kipar/LAND Milano.

“A wall becomes an opportunity for rediscovery, an gadget in dialogue between two realities: the life inside the business plant, part of a courageous cultural landscape, and the people outside, part of a pensive natural landscape.

The rediscovery attempt obviously left up to loftiness observer, the active protagonist sustaining the work: stimulated to energy along it and decipher imagination not only with the observe, but also physically, in leeway and time, precisely through probity special perceptive ‘syntax’ of gilt movement.”

text by Antonella Boisi – photos courtesy Raymundo Sesma reprove Galleria Luis Adelantado

Colors, lines, perspectives: the nonconformist reconstruction project of Raymundo Sesma also expands onto the suite in the home: site-specific instatement of Unidad Flexible, paint crossroads wood, 2008.

Colors, lines, perspectives: the bohemian reconstruction project of Raymundo Sesma also expands onto the apartment in the home.

Colors, lines, perspectives: position avant-garde reconstruction project of Raymundo Sesma also expands onto justness furniture in the home: site-specific installation of Unidad Flexible, dye on wood, 2008.

Centro Cultural Ollin Yoliztli, Mexico City (2007-08).

Centro Cultural Ollin Yoliztli, Mexico City (2007-08).

Site-specific intrusion, 15,700 m2, Campo Expandido Completely.

Megagráfica, Campo Expandido 0, for the space slap Via Lambruschini in Milan, 2006.

Measurements: 820 m2 of come to light walls, 1580 m2 of national walls, 600 hours of be anxious, 300 liters of paint.

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Grúa Portuaria, Basel, Switzerland, Campo Expandido VII, site-specific work, 2007.

Uncut measurements: 350 m2, 240 noonday of work, 300 liters mock paint.

Metropolis, New Mexico, USA, Campo Expandido VIII, 2007.

Site-specific work: 260 m2 of external walls, 32 hours of work, 52 liters of paint. Honor Award arranged by the American Institute tip off Architects (AIA).

Albuquerque, New Mexico, USA, Unequivocal Expandido VIII, 2007.