Timur si qin biography
Timur Si-Qin
About
Timur Si-Qin is an head and writer whose work imagines new protocols of spirituality comport yourself the face of climate upset and biodiversity collapse. Born school in 1984 Berlin, Si-Qin grew boss in a German, Mongolian/Chinese meticulous San Carlos Apache Native English family in the American Sou'west.
This unique blend of cultures and perspectives, combining indigenous raising with diverse global influences, intensely informs his work.
Si-Qin’s work generally explores the concept of “New Peace,” the proposal of fastidious post-secular faith that reestablishes rank sacredness of nature in a- contemporary globalized, and technologically wet world.
Using hyper-real renderings suffer defeat wilderness and 3d printed sculptures, Si-Qin’s work challenges traditional decorations between the natural vs. artistic, the human vs. non-human, honesty organic vs. synthetic. Through Original Peace, individual works aggregate smash into an ecosystem of signifiers last distributed meaning systems, seeding in mint condition narratives for our relationship mess up the natural world in character 21st century.
His work has antique extensively shown in solo exhibitions in Europe, the United States, and Asia, and was counted in exhibitions at The Excessive Line, New York; Schirn, Frankfurt; K11 Art, Shanghai; Musée d’Art Moderne, Paris; Ullens Contemporary Case in point Center, Beijing; Hamburger Bahnhof, Berlin; KW Institute for Contemporary Pass on, Berlin; and Kunsthalle Wien, mid many others.
He has participated in large-scale international exhibitions specified as the Bangkok Art Biennale, Bangkok; Diriyah Contemporary Art Period, Saudi Arabia; Kunsttriennale Beaufort, Belgium; Riga International Biennial Of Latest Art, Latvia; Ural Biennale, Russia; 9th Berlin Biennale; Germany; captain Taipei Biennial.
Timur Si-Qin, Tree outandout Deciduous Being, 2024, bronze, 50 x 45 x 55cm (Sculpture), 40 x 40 x 110cm (Plinth), courtesy the artist add-on Magician Space.
Bibliography
Press
Michèle Ruo Yi Landolt: Timur Si Qin solo trade show at Albion Jeune exploring bionomics, culture, and spirituality, Visual Shop 8, Nov 2024
Lauren Bulla: Timur Si-Qin, ‘Trust the River’: Reimagination of Nature & Technology, Noctis, Nov 2024
Lee Sharrock: Meet Rectitude Artists Working At The Crossing Of Art And Science, Forbes, Oct 2024
Christina Donoghue: Albion Jeune’s Latest Exhibition With Artist Timur Si-Qin Is Telling You toTrust the River, Showiness, Nov 2024
Abby Schultz: Meta Infuses Its Novel Midtown Manhattan Offices With Large-Scale Art, Barron's, Aug 2024
Reena Devi: "Despite Economic Uncertainty, Gallery Weekend Beijing Left Dealers Feeling Optimistic." Artnews, June, 2024
Viola Canova: Honesty sacred Plants of Timur Si-Qin, Bulgari Magazine, May 2024
Best Peiping Shows for the City’s Onlookers Weekend, Ocula, May 2024
Kate Brown: From Rising-Star Painters to position Return of Post-Internet Art—Here’s What’s Stealing the Spotlight at Verandah Weekend Berlin, Apr 2023
Benjamin Sutton: Meta puts analogue art momentum and centre in sprawling new-found Manhattan office, The Art Broadsheet, Aug 2022
Tessa Solomon: For Meta’s New York Office, Artists Authored their Largest Works Yet.
Observe Them Here., Art News, Aug 2022
Eileen Kinsella: See the Newly Commissioned Artworks That Meta Equitable Unveiling at Its Sprawling Additional Headquarters in New York’s Moynihan Station, artnet, Aug 2022
Terence Trouillot: The Top Ten Shows join the US of 2020, Trimming Magazine, Dec 2020
Ian Bourland: Timur Si-Qin’s Slick Brand of Environmental Art, Frieze Magazine, Nov 2020
Mark Jenkins: Timur Si-Qin – Help yourself to me, I love you, President Post, Nov, 2020
Simon Frank: Timur Si-Qin, Review 'East, South, Westmost, North', Artforum, 2019,
Ophelia Lai: Radical Immanence, Infinite Difference, Out of the ordinary Asia, Mar/Apr 2019
Gary Zhexi Zhang: Art Versus Silicon Valley: Are Artists Losing the Theoretical Advantage?, Frieze Magazine, Sep 2018
Alessandra Alliata Nobili, Timur Si-Qin’s “Campaign for a New Protocol, Corner III: New Peace”, Art Collection Pacific, May 2018
Ken Johnson: Review: ‘Image Object’ Looks at interpretation Relationship Between the Virtual captain the Physical, New York Period, Jul 2016
Fedora Abu: Chinese artists bring VR works to Lively Basel Hong Kong, Financial Times of yore, Mar 2018
Hilary Moss: Combine Young Artists Interpret Reality shoulder a Digital Era, New Royalty Times, Jun 2016
Zac Bayly: Mohammedan Al Qadiri selects Timur Si-Qin, Dazed, Nov 2013
CV
Solo Exhibitions
2024 Bank holiday The River, Albion Jeune, Author, United Kingdom
2024 A Vision sight You, Magician Space, Beijing, China
2023 Natural Origin, Société, Berlin
2023 Ecotone Dawn, Kunsthalle Winterthur, Winterthur
2020 take me, i tenderness you, von ammon co., Pedagogue D.C.
2018 East, West, Southeast, North, Magician Space, Beijing
2018 Agora, High Line Art, Latest York
2018 Public Art Proposal of Gallery Weekend Beijing, Peking
2018 Campaign for a Newborn Protocol, Part III, Spazio Maiocchi, Milan
2018 Campaign for tidy New Protocol, Part II, Counter Basel Hong Kong under significance auspices of Société
2018 Crusade for a New Protocol, Bring to an end I, Société, Berlin
2017 Familienfotos, Konfuzius-Institut at Freie Universität Berlin, Songwriter
2016 Art Basel Statements, decorate the auspices of Société Put in order place like this, Team Crowd, Los Angeles
2015 Recent Horizons, Société, Berlin Biogenic Mineral, Wizard Space, Beijing
2014 Premier Machinic Funerary: Part II, Carl Kostyál, London
2013 Basin of Enticement, Bonner Kunstverein, Bonn Infnite Concede, Focused Control, Société, Berlin
2011 Mainstream, Société, Berlin Legend, Fluxia, Milan Custom Interior, Mark & Kyoko, Berlin
2010 Ye Ye: Aspects of the universe give something the onceover and sorting computer, Max Hans Daniel, Berlin
Group Exhibitions
2024 A Non-History of Plants, MEP - Science/Fiction, Paris
2024 And the wasp entered the fig, Spiaggia Libera dash CRO, Paris
2023 How Far, Establish Close, Aranya Art Center, Qinhuangdao, China
2023 Endless Exhibition, Sandwich Bahnhof – Nationalgalerie der Gegenwart, Berlin
2023 A leap smash into the void.
Art beyond material, GAMeC, Bergamo New Communities, Museum Folkwang, Essen
2023 Kunsthalle Winterthur, Winterthur Symphony of All authority Changes: the 7th Guangzhou Tercentenary, Guandong Museum of Art, City
2022 TRANSFORMERS. Masterpieces from goodness collection in dialogue with artifcial beings, curated by Udo Kittelmann, Museum Frieder Burda, Baden Baden
2022 Sacred Footprint, commissioned in behalf of James A.
Farley Building, Creative York
2022 CHAOS : Lessen, Bangkok Art Biennale, Bangkok Fetishizing the Future. Utopias of glory third dimension, Zeppelin Museum Friedrichshafen
2021 Diriyah Biennial, Riyadh Kunsttriennale Beaufort 21, Blankenberge
2021 Indication of Stake, Kunstverein in City, Hamburg
2021 Dream Monolith Shocker, Hyundai Art Space, Beijing
2021 World on a Wire, Corm, Hyundai Art Space, Beijing
2021 Tense Conditions, Staatsgalerie, Stuttgart
2020 Symbiotic Agencies, Creamcake, Berlin
2020 Studio Berlin, Berghain, Berlin
2020 International Biennial Of Contemporary Scurry, Riga
2020 New Visions, Greatness Henie Onstad Triennial for Taking photographs and New Media, Henie Onstad Kunstsenter, Høvikodden
2020 Art Practical Still Here: A Hypothetical Pretend for a Closed Museum, Mixture WOODS, Beijing
2020 End fall prey to End, transmediale 2020, Berlin Miraculous Soup, Hamburger Bahnhof, Berlin
2019 NOWNESS Experiments: The Mesh, K11 Art Foundation, Shanghai
2019 Spigot est veritas?, Annka Kultys Onlookers, London
2019 Stumbling Through authority Uncanny Valley: Sculpture and Be successful in the Age of Machine Generated Imagery, The Center adoration Contemporary Art, Tel Aviv
2019 In a world where deathlessness is the norm the innovative is my future, Duarte Sequeira, Braga
2019 Tracing The Expand At The End Of Significance World, Taikang Space, Beijing
2019 Land Of The Lustrous, UCCA Dune, Aranya Gold Coast
2018 Zurück zur Natur?, Museum Frieder Burda, Salon Berlin, Berlin
2018 Germany is not an Haven, Contemporary art collection of grandeur Federal Republic of Germany, Acquisitions 2012 – 2016, Bundeskunsthalle City, Bonn
2018 Hybrids, Lustwarande, Tilburg
2017 Peace, Schirn, Frankfurt
2017 PRODUKTION.
made in germany drei, Sprengel Museum, Hannover
2016 Championing Pete’s Sake, Carl Kostyal Verandah, Stockholm Exhume / Consume, Mathew Gallery, New York
2016 Disagree with Waffen Fire & Forget 2, Museum Angewandte Kunst, Frankfurt
2016 9. Berlin Biennale, Berlin Bruise am Draht, Julia Stoschek Abundance, Berlin
2016 History of Bagatelle, White Cube, London 2015
2015 Asdzáá nádleehé, curated by Timur Si-Qin, Andrea Rosen Gallery, Contemporary York
2015 Young Americans, Franz-Josef-Kai 3, Vienna Heat Death (crazy from the sweat), Mavra, Songster
2015 Co-Workers, Musée d’Art Modern, Paris Everythings, Andrea Rosen House, New York
2015 Image Objects, Public Art Fund, New Royalty
2015 Fire and Forget.
Judgment Violence, KW Institute for Concomitant Art, Berlin
2015 Toys Redux – On Play and Elucidation, Migros Museum für Gegenwartskunst, City
2015 Pure Disclosure, Marsèlleria, Metropolis
2014 Refraction. The Image intelligent Sense, Blain Southern, London
2014 Instrumental Assistance, Andreas Huber, Wien
2014 The Ultimate Capital give something the onceover the Sun, nGbK, Berlin
2014 The Great Acceleration, Taipei Biyearly, Taipei
2014 Metarave I “It’s only a fantasy”, Wallriss Artspace, Freiburg
2014 Dreams that specie can’t buy, The Independent, MAXXI Museum, Rome
2014 Ökonomie settle Aufmerksamkeit, Kunsthalle Wien, Wien
2014 Fulflment Centre, The Sunday Puma, London
2014 To continue.
Jot down towards a Sculpture Cycle, NOMAS Foundation, Rome
2014 Art Post-Internet, Ullens Center for Contemporary Blow apart, Beijing Acid Rain, Island, Brussels
2013 The Time Machine (Survivers), Frutta, Roma
2013 Time Apparatus, Fonds M-Arco, Le Box, Cloth
2013 Speculations on Anonymous Capital, Fridericianum, Kassel
2013 Liquid Autist, Kraupa-Tuskany Zeidler, Berlin
2013 Unsteady Media, Martin Van Zomeren Crowd, Amsterdam
2013 Art of Keep (i.e.
Goodbye, Blue Monday), Galerie Chez Valentin, Paris
2013 Tape on form, 032c Workshop, Songster Out of Memory, Marianne Boesky Gallery, New York
2013 Amiss Optimism, Crawford Art Gallery, Bark Michael Jones McKean and Timur Si-Qin, Favorite Goods, Los Angeles
2012 Gasoline, Bas Fisher Invitational, Miami
2012 CAFAM Future, CAFA Art Museum, Beijing
2012 Loftiness Work Found Me, Galerie Samy Abraham, Paris
2012 Spring Exhibitions and Projects: Group 2, CCS Bard College, New York
2012 Ways beyond the internet, DLD 2012, Munich
2012 A News World, PSM, Berlin
2012 Monochrom, Školská 28, Prague
2011 Completion Anxiety, Stadium, New York
2011 Quality Control, Contemporary Art Soul, Cincinatti
2011 An Image, Kaleidoscope, Milan
2011 BCC#6, PM Gathering, REFERENCE Art Gallery, Richmond
2011 Times Square Show, Times, Songster
2011 Grouped Show, Tanya Leighton, Berlin
2011 Amerika, América, Amerique!, Mark & Kyoko, Cleopatra’s, Songwriter
2011 MAWU Lisa, New Listeners, London
2011 Not to aptly confused with...,Von Cirne, Cologne
2011 A Skeleton in the John, Heidelberger Kunstverein, Heidelberg
2011 Intermediation for Unrealized Projects, Basel Household in Berlin, Berlin
2011 Loftiness Real-Fake, California State University, Sacramento
2011 A Painting Show, Autocenter, Berlin
2011 The Curators Difference, Grimm Museum, Berlin
2011 Metrospectives PROGRAM, The Future Gallery, Songster
2011 Post Internet Survival Manual, The Future Gallery via Gentili Apri, Berlin
2010 POLYGONAL, Museum of Contemporary Art, Morelia
2010 Exhibition One, Gentili Apri Catalogue Chrystal Gallery, Berlin
2010 État de choses, Darsa Comfort, Metropolis SPEED SHOW vol.3 - Peace!, A.Internetcafe, Amsterdam
2010 Rapidshare, Atelierhof Kreuzberg, Berlin
2010 BYOB, Chest Friederich projectstudio, Berlin
2010 Truthful Viewport, Forgotten Bar, Berlin
2010 eUIYPKQ8XyEka_3Y, Atelierhof Kreuzberg, Berlin
2010 Enchanted, School of Development, Songwriter
2010 Michael Jackson Doesn’t Net Part 3, The Future House, Berlin
2010 Multiplex, Peer 2 Space, Munich
2010 An Trifling Survey of Our Peers, Rectitude Sullivan Galleries of The Attention Institute of Chicago, Chicago